The Wolves Chronicles — (1962-2005) For children. Publisher: In this chilling beginning to The Wolves Chronicles, two little cousins are left in the care of an evil governess. They escape and travel 400 miles to London with their friend Simon and his geese.
           
         
 The Wolves of Willoughby Chase:
The First of the Wolves Saga
The Wolves of Willoughby Chase is the first book in the Wolves Saga by Joan Aiken, a series of books set in an alternative 18th century England in the reign of King James III. In this altered history a large number of wolves migrate from the bitter cold of Europe and Russia into Britain via the Channel Tunnel, and terrorise the inhabitants in their continuing hunting.
The story is set at Willoughby Chase, the grand home of Lord Willoughby and Lady Green and their daughter Bonnie. Due to Lady Green's wasting illness, Bonnie's parents are taking a holiday in warmer climates and leaving her in the care of the Lord's newly-arrived distant cousin Letitia Slighcarp. Also due to arrive is Bonnie's orphan cousin Sylvia who lived in London with Lord Willoughby's poorer sister Aunt Jane, coming to keep her cousin company in her parent's absence. Sylvia is nervous about the train ride into the vast and wolf-ridden countryside, but the cousins become instant friends on her arrival, with an entire life of playing, skating and adventures together.
Yet the blissful life is not to last. In her parent's absence, Mrs Slighcarp takes over the household, dismissing the household servents, wearing Lady Green's gowns, and tampering with Lord Willoughby's legal papers with the help of Mr Grimshaw, the man who was supposedly knocked unconscious on Sylvia's train and taken into the care of Willoughby Chase. Despite the best efforts of James the clever footman, Pattern the girl's beloved maid and Simon, the goose-boy living half wild in the woods, the girl's plans to fetch back their parents goes astray, and Mrs Slighcarp sends them to a dismal orphanage after the news that Bonnie's parents have died.
Bonnie and Sylvia quickly weaken under the strain of the difficult living conditions, and Bonnie realises they must find a way to escape due to Sylvia's worsening health. Hope arrives however in the form of Simon the goose-boy, and together they plot a way to escape and reclaim Bonnie's inheritance...
I can't imagine a single child that wouldn't find this story appealing. With enough wolves, riches, villains, plotting and child independance to keep them satisfied for a long time, this book is sure to become a favourite, as are the others in the series. Bonnie and Sylvia are wonderful young protagonists, with Bonnie as the confident, ever-optimistic young tomboy, and Sylvia as the more timid, but never annoying, young lady. If you're concerned that boys may not be interested in female protagonists, Simon the young goose-boy should please them, as there's always a fascination for independent children living wild in the forests. Mrs Slighcarp, Mr Grimsby and Mrs Brisket (the *real* wolves of Willoughby Chase) are nasty villains, and therefore good ones, which everyone will love to see get their just desserts at the conclusion.
The scenery is beautifully created through Aiken's language, whether it be Sylvia's night time train ride, the opulence of the Willoughby house, or the children's summery travels in the countryside, and the pacing never slows or dwindles on any needless details. One scene in particular, when the girls are being hunted down by wolves on the estate's grounds is particularly gripping.
However, some older readers may be skeptical at the actual story itself. It seems to hold every cliché that a Victorian Children's Romance could have: a riches-to-rags-to-riches story, a villainous governess, a forged will, a cruel orphanage, a false death and a great escape, where every possible mishap is conclused with a happy ending — even if it's outrageously implausible (such as Bonnie's parents miraculous escape). Yet despite all this, somehow Joan Aiken seems to make it all seem real and natural through her strong and descriptive writing. A great book to read aloud, and follow up with its sequel Black Hearts in Battersea. —R.F.
Black Hearts in Battersea:
The Next Installment in a Fantastic Adventure
Black Hearts in Battersea is the second book in Joan Aiken's beloved Wolves saga, beginning with The Wolves of Willoughby Chase and continuing in Nightbirds in Nantucket. Each book can be read separately and out of order (i.e., each is a separate story, not one big story broken into several parts), linked by re-appearing characters, plot lines and locations. Each is set in a cleverly devised "parallel universe" where historical figures and events are changed from what we would recognise in our own history books. In this case, the action takes place in London, where Britain is ruled by good King James III and plauged by maurauding wolves immigrating from Russia, with other little snippets of an alternative history slipped in to give the book a whimsical, but authentic air. Anyone who has read Diana Wynne Jones's Chrestomanci books, or Philip Pullman's Golden Compass/Northern Lights will have no trouble adapting to this new environment, but those who haven't might be in for a pleasent surprise when they discover some of the little gems Aiken throws in: next to the familiar sights of Hyde Park and St Paul's Cathedral are places such as Battersea Castle on the Thames, made of pinkish stone, and made 'to look like a great half-open rose.' With such a fascinating world to explore, it hardly seems to matter whether there's a story or not.
But of course there is, and it perfectly combines with the backdrop Aiken sets for it. Young Simon the half-wild goose-boy, last seen being offered a painting career by Dr Field in The Wolves of Willoughby Chase arrives in London to begin his education at the Art Academy in Chelsea. But things are set to go wrong from the very beginning. On reaching Dr Field's described boarding house, there is no sign of him, and the family Twite insists that they've never heard of him. Befriending their youngest daughter, the rude, filthy, brattish Dido Twite, Simon gradually begins to make his way around in London and at the Art Academy — discovering some very suspicious things concerning the Twites in the meanwhile.
He meets up with his old friend from the Poor Farm where he grew up: the lovely Sophie, who is now the handmaiden of the Duchess of Battersea, and with the young Duke-to-be Justin, a somewhat miserable and pathetic boy. In his ever-growing adventures, including visits with the eccentric Duke of Battersea, strange occurances at the Twites, and a highly enjoyable visit to the Fair, Simon comes to uncover a terrible Hanoverian plot to overthrow the king, and the secret to his own mysterious past. With plenty of wolves, fireworks, shipwrecks, kidnappings, suberfuges, maroonings, hot air balloons, explosions, false identities, lucky escapes and poisoned mince pies, Black Hearts in Battersea is a great read, and even better if it's read aloud, either to your own kids or a classroom (the lower classes's Cockney accents in particular are wonderfully created in Aiken's language).
Of course, it is unashamedly filled with quirks, coincidences and long stretches of credibilty that will have anyone over the age of eight that enjoy nice, sensible stories raising an eyebrow in skepticism. To read the book critically would destroy any enjoyment one might have of it, as it is most certainly not to be taken too seriously. How could you when you have lines like: "My own dear husband's dead brother's long-lost child!" Just sit back and enjoy the story, complete with its exaggerations and unlikelihoods, as it harks back to another era where such occurances were taken dead-seriously.
The Wolves Saga is a little known, but fantastic series, and I'm sure the previously-mentioned authors (Diana Wynne Jones and Philip Pullman) owe a lot to Joan Aiken's methods of alternative-history, as she is the first "modern" writer to the best of my knowledge to instigate such a device. Her characters are great fun (though Bonnie and Sylvia of Wolves of Willoughby Chase were sadly missed) and her stories filled with non-stop excitement and discovery. —R.F.
Nightbirds on Nantucket:
A Rich and Exciting Read
When we last saw Dido Twite at the end of Black Hearts in Battersea she was going down with the Dark Dew ship, swept away from her friends Simon and Justin in the middle of the ocean. Whilst the two boys were forced to go on without her (eventually preventing an assasination attempt on the Duke of Battersea), Dido's fate remained a mystery, that Joan Aiken now resolves for expectant readers in the third book in her Wolves Saga.
After a ten month long sleep, Dido awakes on board a whaler in the middle of the Artic sea, on a boat completely covered in icicles and frost. There she meets young Nate, a ship's hand, who informs her of her surroundings, of how far she is from home. Also on board is the fox-like and slimy Mr Slighcarp and the moony Captain Casket, who is determined to chase and catch the magnificent pink whale. He informs Dido that his young daughter Dutiful Penitence Casket is also on board, but who has locked herself away in a cupboard in mortal terror of the sea. He requests that Dido attempt to coax her out, and then accompany her to her Aunt Tribulation on the island of Nantucket before she tries to head back to England. Dido, taking it into her responsiblity |
