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Francesca Lia Block

1962-
Reviewed by Rebecca
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Francesca Lia Block writes magic-realist novels for young adults. For more information, visit Francesca Lia Block's website. 

Weetzie Bat — (1989-2005) Young adult. Goat Girls contains the two books Witch Baby and Cherokee Bat and the Goat Guys. Beautiful Boys contains
Missing Angel Juan and Baby Be-Bop. Dangerous Angels contains all 5 original Weetzie Bat novels. Publisher: Weetzie Bat is a kooky, crazy, totally clued-in teen and her world is an ultra-funky, urban-fantastical vision of a neon-vibrant LA. It's soap opera, magic, dreams. It's modern America on sensory overload. It's about cutting loose and holding on, despite the most dangerous angel of them all: love.


Francesca Lia Block 1. Weetzie Bat 2. Witch Baby 3. Cherokee Bat and the Goat Guys 4. Missing Angel Juan 5. Baby Be-Bop Dangerous Angels Beautiful Boys Goat Girls Necklace of KissesFrancesca Lia Block 1. Weetzie Bat 2. Witch Baby 3. Cherokee Bat and the Goat Guys 4. Missing Angel Juan 5. Baby Be-Bop Dangerous Angels Beautiful Boys Goat Girls Necklace of KissesFrancesca Lia Block 1. Weetzie Bat 2. Witch Baby 3. Cherokee Bat and the Goat Guys 4. Missing Angel Juan 5. Baby Be-Bop Dangerous Angels Beautiful Boys Goat Girls Necklace of Kisses
omnibus:
Francesca Lia Block 1. Weetzie Bat 2. Witch Baby 3. Cherokee Bat and the Goat Guys 4. Missing Angel Juan 5. Baby Be-Bop Dangerous Angels Beautiful Boys Goat Girls Necklace of Kisses

Related novel:
Francesca Lia Block 1. Weetzie Bat 2. Witch Baby 3. Cherokee Bat and the Goat Guys 4. Missing Angel Juan 5. Baby Be-Bop Dangerous Angels Beautiful Boys Goat Girls Necklace of Kisses

Necklace of Kisses
— (2005) Publisher: Where are the kisses? Weetzie Bat wondered. When her relationship with Secret Agent Lover Man turns cold, the forty-year-old post-punk pixie packs up, jumps into her mint-green '65 Thunderbird, and leaves to take refuge in L.A.'s enchanted Pink Hotel—with its blue-skinned receptionist, invisible cleaning lady, seductive faun, and sushi-eating mermaid who gives Weetzie the first kiss that sets the wheel of self-discovery spinning madly in motion. Though she faces some very adult problems, anything is still possible in Weetzie's world—angels, magic . . . even true love.

Stand-alone novels and collections:

Francesca Lia Block book review The Rose and the Beast Nine Fairy TalesThe Rose and the Beast: Nine Fairy Tales
— (1993) Publisher: Beauty, Snow White, Rose Red - you've met them all in many incarnations. But you haven't met Charm or Snow or Tiny, not as Francesca Lia Block has imagined them. Within her singular, time-less landscapes, the brutal and the magical collide. In Block's retelling of these tales, the heroine triumphs because of the strength she finds in a pen, a paintbrush, a lover, a friend, a mother, and, finally, in herself.


Francesca Lia Block The Rose and the Beast: Nine Fairy Tales book reviewThe Rose and the Beast: Nine Fairy Tales: A Dark, Stunning Collection of Tales

The Rose and the Beast: Nine Fairy Tales was my first look into the writing of Francesca Lia Block, and I was immediately captivated by both her style and tone and her unsurpassable use of imagery, and her ability to make old fairytales into new, darker and profound creations. It is gradually becoming clear in the general world of literature that fairytales in their original form were not at all intended for children, and the advent of sweet little fairytales, beginning with the Brothers Grimm and accumulating in the works of Enid Blyton, are gradually heading back to what they were originally used for: deep insights into the minds and souls of human beings as a whole. With that in mind, Francesca Lia Block perfectly captures their essence and meaning. The cover art also captures this regard for fairytales — the front shows a beautiful young woman — but by turning the book around to see her lower half, one can see that her hands are talons. Needless to say, this book is not for children.

There are nine tales in this volume, four of which are set in an entirely fairytale world, separate from our own, ("Snow," "Glass," "Rose," "Beast") and five of which are 'misplaced' fairytales, being played out in our contemporary world ("Tiny," "Charm," "Wolf," "Bones," "Ice").

"Snow" is a retelling of Snow White, which highlights a new angle on the tale — bringing forth not the love of Snow White's mother or her lover, but that which the old stories always forget to mention — that of the affection between Snow and the seven dwarfs. My favourite quotes: first when the dwarfs look upon her as a baby: "they knew then that she was the love they had been seeking in every face forever before this," and when it is pointed out that "She loved them. This is what no one tells. She loved them."

"Tiny" is a reworking of Thumbelina. A mother looses eight children to death, but her ninth child is the size of her thumb, though "there was a perfectly normal heartbeat flickering on the screen like a miniature star." Tiny grows, unaware of her difference, till she sees her first male — a young man, searching for his Muse. Falling in love, Tiny appoints herself a Hero, and goes after him...

"Glass" is a stunning retelling of Cinderella, in which our heroine is caught between the safety and predictability of her sisters, and the love she finds with her own Prince Charming. A natural storyteller, she is unawares of how easy she is to love, of her gift to transform, and of how she can change herself from sand into something clear and pure — like glass.

"Charm" is the dark and disturbing tale based on Sleeping Beauty, in which the spindle is a heroin needle, and thrown into a world of drugs, photographs and glamour. But in this case, Sleeping Beauty cannot sleep, and only one person in the world can help her find rest and awaken her from her nightmare.

"Wolf" is Little Red Riding Hood, where a Stepfather takes the place of a wolf and threatens the lives of a young girl and her mother. Running for the desert and her grandmother, the heroine finds that she has to face her greatest fear when he turns up at her one place of sanctuary.

"Rose" is the tale of Rose White and Rose Red, the dearest of friends, and the inevitable breaking of their friendship when one of them falls in love. It is simple, heartbreaking and yet utterly true in its message — the everchanging role of love and connections with other people. If you are familiar with the story, you may be saddened by the loss of the character of the dwarf that hinders the girls so badly, but the great black bear is still intact.

"Bones" is perhaps the most ambiguous of the stories simply because it is based on "Bluebeard," a tale that many may not know. The old story goes that a young woman marries Bluebeard who tells her she can go anywhere in the house expect in a particular room. Needless to say, the instant he leaves the house she open the door...and finds the bodies of his previous wives. In this case, Bluebeard is Derrick Blue, a talent scout who lures young women to his home in order to do what the original Bluebeard did. For a girl who begins wishing she was in a fairytale as "at least the girls in the stories were alive before they died" she ends vowing to listen to the tales of the 'bones' of the previous victims, and let their stories be known.

"Beast" is another favourite of mine, with the fascinating angle of having Beauty prefer the beast to the man he changes into. The imagery in this one is also beautiful, as Beauty becomes more and more wild and "tries to retrain herself from licking her hand as if it were a paw."

But Francesca Lia Block saves the best for last. In "Ice," based on the Snow Queen, we meet two lovers utterly enveloped in each other, until K. is lured away by the perfect beauty of the Snow Queen. Block exceeds herself here with the potency of her words — a girl too afraid to fight for her love as she is convinced that something as perfect as their love cannot possibly last, a boy trapped between two women, and of course, the regal Ice Queen that we've all met in our own lives at one time or another, and her ability to make us see the worst in ourselves. This is my favourite short story of all time.  —R.F.


Francesca Lia Block Ecstasia, Primavera, I Was a Teenage Fairy, Ruby, Psyche in a DressEcstasia — (1993) Young adult. Publisher: Siblings Calliope and Rafe, along with Dionisio and Paul, are Ecstasia—the most popular band in Elysia, a city of jewels and feathers, of magic and music, where the only crime is growing old. Then Calliope’s visions take her to Under, where the Old Ones go to die, and where her parents had vanished long ago. Rafe joins her there, in search of the Doctor, who can bring back the dead to ease their loved ones’ broken hearts. And that is when rapture turns to nightmare.


Francesca Lia Block Ecstasia, Primavera, I Was a Teenage Fairy, Ruby, Psyche in a DressPrimavera — (1994) Young adult. Publisher: From the very moment she was born, Primavera’s songs made water flow and flowers blossom. She brought new life to the desert where her family lives. But even in Paradise there are dreams that cannot be fulfilled. Primavera is in love with a man who can never be hers—so when a handsome stranger offers her the gift of a horse-headed motorcycle, Primavera leaves home in search of the magical city of Elysia, the city once ruled by her parents’ band, Ecstasia. But in Elysia, Primavera discovers that she has left behind everything she truly needs, everyone she truly cares about—and, if the city has its way, she will never find her way back home.


Francesca Lia Block Ecstasia, Primavera, I Was a Teenage Fairy, Ruby, Psyche in a DressI Was a Teenage Fairy — (1998) Young adult. Publisher: Maybe Mab was real. Maybe not. Maybe Mab was the fury. Maybe she was the courage. Maybe later on she was the sex...A tiny fairy winging her way through the jasmine-scented L.A. night. A little girl caught in a grown-up glitz-and-glitter world of superstars and supermodels. A too beautiful boy with a secret he can never share...From the author of Weetzie Bat comes a magical, mesmerizing tale of transformation. This is the story of Barbie Marks, who dreams of being the one behind the Cyclops eye of the camera, not the voiceless one in front of it; who longs to run away to New York City where she can be herself, not some barley flesh-and-blood version of the plastic doll she was named after. It is the story of Griffin Tyler, whose androgynous beauty hides the dark pain he holds inside. And finally it is the story of Mab, a pinkie-sized, magenta-haired, straight-talking fairy, who may or may not be real but who helps Barbie and Griffin uncover the strength beneath the pain, and who teaches that love—like a sparkling web of light spinning around our bodies and our souls—is what can heal even the deepest scars.


Echo — (2001) Publisher: Jealous of her perfect mother and ignored by her artist father, Echo seeks attention and healing from a variety of people living in beautiful Los Angeles.


book review Francesca Lia Block EchoEcho: